Published to coincide with Paco Pomet’s retrospective exhibition, Pinturas 2004–2011: Contra la inercia is a meticulously produced monograph that brings together 40 works from the artist’s output during this pivotal phase in the artist’s career, sourced from both private collections and public institutions.

The book features an outstanding essay by Francisco Jesús Serrano Alba, which remains one of the most thorough studies of Pomet’s practice. Through close analysis, the author articulates the artist’s development over these years, tracing both the continuities in his visual language and conceptual concerns, as well as the increasing complexity and refinement of his subject matter.

The exhibition itself was met with widespread critical and public acclaim, prompting an extension of its run due to sustained interest. The accompanying publication endures as a significant resource and a foundational reference for any collector of the artists work.